Hanshi Kase Ido-gata Chawan
This elegant ido-gata chawan (matcha bowl) is thrown from Asahiyaki’s signature hanshi (燔師) clay, dug from Shirakawa and Oriiyama in and around Uji. Coated in a simple transparent glaze, the warm tones, hue gradients, and spots all come from the clay itself as it is rapidly heated to around 1400°C in Asahiyaki’s wood-fired climbing kiln. The small white spots form as tiny bubbles from within the clay rise to the surface. In many ceramic traditions, this pattern of spots is called gohon/gohonte in reference to the early Korean gohon chawan that first featured them. However, in Uji, this pattern is often called kase (鹿背 - deer back) as the spots are reminiscent of the back of a young deer.
Among Asahiyaki’s earliest works in the 17th century were reproductions of the various gohon chawan originally produced in Korea. This bowl continues that tradition, drawing inspiration from Korean chawan in its gohonte colours and ido chawan like shape, with a tall bamboo-node foot (竹の節高台 - takenofushi kōdai) complete with a point at the centre (兜巾 - tokin), and a subtle spiralled shape with gentle rokurome (ろくろ目 - potters' wheel marks) which shows the flow of the potter's fingers as they shaped the piece on the wheel. In true Asahiyaki style, the wild naturality and rusticity of these Korean inspirations are tamed, restrained, and refined by a sense of balance and elegance, resulting in timeless expression of kirei-sabi.
Before using it for the first time, it is recommended to soak the piece in water for 10 minutes. This will dislodge any dust from the clay as well as slow down the natural development of patina in the glaze.
This piece was made by the skilled craftsmen at the Asahiyaki studio and wood-fired in their climbing kiln before being packed in a kiribako (wooden paulownia box) and signed by the artists.
Original: $344.00
-70%$344.00
$103.20
Description
This elegant ido-gata chawan (matcha bowl) is thrown from Asahiyaki’s signature hanshi (燔師) clay, dug from Shirakawa and Oriiyama in and around Uji. Coated in a simple transparent glaze, the warm tones, hue gradients, and spots all come from the clay itself as it is rapidly heated to around 1400°C in Asahiyaki’s wood-fired climbing kiln. The small white spots form as tiny bubbles from within the clay rise to the surface. In many ceramic traditions, this pattern of spots is called gohon/gohonte in reference to the early Korean gohon chawan that first featured them. However, in Uji, this pattern is often called kase (鹿背 - deer back) as the spots are reminiscent of the back of a young deer.
Among Asahiyaki’s earliest works in the 17th century were reproductions of the various gohon chawan originally produced in Korea. This bowl continues that tradition, drawing inspiration from Korean chawan in its gohonte colours and ido chawan like shape, with a tall bamboo-node foot (竹の節高台 - takenofushi kōdai) complete with a point at the centre (兜巾 - tokin), and a subtle spiralled shape with gentle rokurome (ろくろ目 - potters' wheel marks) which shows the flow of the potter's fingers as they shaped the piece on the wheel. In true Asahiyaki style, the wild naturality and rusticity of these Korean inspirations are tamed, restrained, and refined by a sense of balance and elegance, resulting in timeless expression of kirei-sabi.
Before using it for the first time, it is recommended to soak the piece in water for 10 minutes. This will dislodge any dust from the clay as well as slow down the natural development of patina in the glaze.
This piece was made by the skilled craftsmen at the Asahiyaki studio and wood-fired in their climbing kiln before being packed in a kiribako (wooden paulownia box) and signed by the artists.
